Comments on: Guest Post: Refe Tuma of Creative Deconstruction http://www.onemovementword.com/2009/08/guest-post-refe-tuma-of-creative-deconstruction/ Official blog of the One Movement For Music Perth conference and festival Sun, 05 Feb 2012 08:45:32 +0000 http://wordpress.org/?v=2.7.1 hourly 1 By: How To Find Your New Favourite Band - Part III - Facebook | Indiescreet http://www.onemovementword.com/2009/08/guest-post-refe-tuma-of-creative-deconstruction/comment-page-1/#comment-42 How To Find Your New Favourite Band - Part III - Facebook | Indiescreet Wed, 19 Aug 2009 05:19:26 +0000 http://www.onemovementword.com/?p=397#comment-42 [...] This is a guest post by Andrew McMillen, a music writer based in Brisbane, Australia. Andrew is coordinating blog content for an Australian music event, One Movement For Music, which debuts in October 2009. The blog at OneMovementWord.com contains interviews with artists and speakers appearing at the event, Australian music news, as well as guest posts exchanged with the likes of Creative Deconstruction’s Refe Tuma. [...] [...] This is a guest post by Andrew McMillen, a music writer based in Brisbane, Australia. Andrew is coordinating blog content for an Australian music event, One Movement For Music, which debuts in October 2009. The blog at OneMovementWord.com contains interviews with artists and speakers appearing at the event, Australian music news, as well as guest posts exchanged with the likes of Creative Deconstruction’s Refe Tuma. [...]

]]> By: Brenda Walker http://www.onemovementword.com/2009/08/guest-post-refe-tuma-of-creative-deconstruction/comment-page-1/#comment-33 Brenda Walker Sun, 16 Aug 2009 21:35:26 +0000 http://www.onemovementword.com/?p=397#comment-33 The major labels aren't the only ones who need to stop looking back. It's been a decade since Napster was at its zenith. Forget about it! Forget about it and all the failings so far. Instead look to the successes-Beatport, Pitchfork, CDBaby. All are examples of unity between industry, artist and fan. The expectation that the new day is going to come in one big swoop with the major labels changing their collective minds or their collective course is a fantasy. The major labels aren’t the only ones who need to stop looking back. It’s been a decade since Napster was at its zenith. Forget about it! Forget about it and all the failings so far. Instead look to the successes-Beatport, Pitchfork, CDBaby. All are examples of unity between industry, artist and fan.

The expectation that the new day is going to come in one big swoop with the major labels changing their collective minds or their collective course is a fantasy.

]]>